Use of Symbols and Symbolism in The Great Gatsby Essay -- Great Gatsby

Imagery assumes a significant job in any novel of artistic legitimacy. In his novel The Great Gatsby, F. Scott Fitzgerald utilizes images to depict occasions, sentiments, characters and timespans. All through the story, Fitzgerald utilizes solid differentiating images, for example, West Egg and East Egg. His boss utilization of other overwhelming images, for example, shading and light are likewise apparent all through the novel. The story starts as the storyteller, Nick Carraway, depicts his appearance to West Egg. One can promptly spot new-cash Gatsby and no-cash Nick on one side of the inlet and old-cash Buchanans on the other (Tanner x). The prevalence of East Egg over West Egg is in a split second clear and has a lot of importance. East Egg speaks to the high class, the noble and the first class. The individuals who live in East Egg originate from affluent family lines. Contrary to this, West Egg speaks to the recently rich or those with basically no cash by any means. There is a lot of self-importance and scorn between these two gatherings as can be noted on page 16 of the novel when Jordan Baker comments scornfully on the way that Nick lives in West Egg. The imagery of eggs can be additionally clarified. During one of Gatsby's gatherings, Nick is offered an egg. He airs out it and finds a beccafico, a delicacy, and a fortune. Leather treater comments on this striking corresponding to the New World. In the event that one glances at America and what it has made, does one see a sickening, prematurely ended, hindered and still-conceived thing, fit uniquely to be discarded? Or on the other hand a fortune, something extraordinary (...) and radiant and uncommon? (x). The Eggs in the novel speak to the two pieces of America: one (East Egg), materialistic, shallow and liberal and the other (West Egg), which is continually anticipating the happening to someth... ...ott Fitzgerald's Criticism of America. Modern Critical Interpretations: F. Scott Fitzgerald's The Great Gatsby. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 11-27. Fitzgerald, F. Scott. The Great Gatsby. Britain: Penguin, 1990. Leather treater, Tony. Presentation. The Great Gatsby. Creator F. Scott Fitzgerald. Britain: Penguin, 1990. vii-lvi. Way, Brian. The Great Gatsby. Modern Critical Interpretations: F. Scott Fitzgerald's The Great Gatsby. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 87-108. Hack, Robert and Libby Stockstill. Shading in The Great Gatsby. http://www.nmusd.k12.ca.us/cdmhs/gatsbycenter/roberthack&libbystockstill. November 29th 1997, 5:16pm. O'Brien, Meghan et al. Shading Imagery in The Great Gatsby. http://www.nmusd.k12.ca.us/cdmhs/gatsbycenter/meghanobrien/gg.html. November 29th 1997, 5:23pm.